#N canvas 518 77 704 521 12;
#X obj 63 185 osc-voice amp1 pit1;
#X obj 63 209 osc-voice amp2 pit2;
#X obj 63 233 osc-voice amp3 pit3;
#X obj 63 257 osc-voice amp4 pit4;
#X obj 63 281 osc-voice amp5 pit5;
#X obj 63 305 osc-voice amp6 pit6;
#X obj 63 329 osc-voice amp7 pit7;
#X obj 63 353 osc-voice amp8 pit8;
#X obj 407 379 qlist;
#X msg 407 237 stop;
#X msg 521 327 read qlist.txt;
#X obj 521 282 loadbang;
#X text 264 165 start;
#X text 408 213 stop;
#X text 531 306 reread file;
#X msg 466 237 rewind;
#X msg 534 237 next;
#X msg 362 189 tempo 100 \, bang;
#X msg 256 189 tempo 1 \, bang;
#X text 82 11 USING QLIST TO SEQUENCE AN OSCILLATOR BANK;
#X text 478 216 single step;
#X obj 512 427 r #;
#X text 62 53 Here is an eight voice additive synthesis patch controlled
by a qlist. Open a text editor on the file \, "qlist.txt" \, to see
how the oscillators' amplitudes and frequencies are specified. The
abstraction \, "osc-voice" \, shows an effective way to make patches
react to qlists but also to mousing.;
#X text 281 428 this is where qlist comments go:;
#X obj 63 383 output~;
#X text 414 475 updated for Pd version 0.39;
#X connect 0 0 1 0;
#X connect 1 0 2 0;
#X connect 2 0 3 0;
#X connect 3 0 4 0;
#X connect 4 0 5 0;
#X connect 5 0 6 0;
#X connect 6 0 7 0;
#X connect 7 0 24 0;
#X connect 7 0 24 1;
#X connect 9 0 8 0;
#X connect 10 0 8 0;
#X connect 11 0 10 0;
#X connect 15 0 8 0;
#X connect 16 0 8 0;
#X connect 17 0 8 0;
#X connect 18 0 8 0;
